To the abyss I (2001)
To the abyss I, II, III, IV (2001-2002)
Banging pots and pans (2002)
cm Too much awareness (2001)
Johnny´s bedroom I (The Persuer – J. Cortázar) (2002)
They don´t know the way (2002)
Have to stand (2002)
Unconected (2001)
Kite musician (2002)
Night of spirits (2002)
Loneliness puzzle (2001)
Aimlessly (2001)
Alone in the city (2001)
Marginal tango II (2001)
There are no more saving icons (2001)
“Circular Spaces” by Mirta Narosky
The series “circular Spaces” that started in 2000 is perhaps the most “conceptual” in terms of content as far as its concerned. I raise large areas of saturated color, content, about to explode. Unstable and undefined, compact or traversable, ethereal light sources spaces … All around the society of man; fast, technological cities, existential being conflicts. The interaction between the “two worlds” of the work, proposes a permanent concern. That discomfort is artistically effective as dichotomy: expressionist iconography metaphysical world and vice versa.
In terms of content: A brief outline about “us”, our internal time, our sensibility, adapted or not megacities we have built, to “serve” the mass of men.
Critical text
Luis Felipe Noé – Painter. Fine arts theoretician .
… Humans leaning out voids that are contemplated from emptiness, buildings that are barriers between them, mass solitudes or lonely crowds.
Mirta puts in pictures-color drawings with categorical color backgrounds . Here the color-that old anarchist bomb dropping – is a lonely cry that expands with full force.
In Mirta Narosky paintings, men and women overlook or dance in the empty-cry, either blue, red or yellow.
In terms of content: A brief outline about “us”, our internal time, our sensibility, adapted or not megacities we have built, to “serve” the mass of men.